This week our featured book is Deaths in Venice: The Cases of Gustav von Aschenbach by Philip Kitcher. Today, we have a brief excerpt from Deaths in Venice, in which Kitcher discusses the opera, Death in Venice, by Benjamin Britten, followed by a couple of videos showing key parts of the opera.
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“Most obvious is the sensuality of the music, the opulent orchestral coloring and the lushness of some important motifs (prominent examples are the “Serenissima” and “View” themes). This musical backdrop creates a context in which Aschenbach’s fascination with Tadzio cannot be heard as anything other than erotic. The possibility of a disciplined artistic perception of beauty is never present: from the moment he encounters Tadzio and we hear the exotic vibraphone motif that accompanies the boy, Aschenbach must be understood to be in the grip of passions he refuses to acknowledge.” — Philip Kitcher, Deaths in Venice
Aschenbach’s Final Aria