This is Your Brain on Jackson Pollock — Eric Kandel on Art
“We understand how visual information is processed and things like this. And we understand where pleasure centers are, and how they interact with that. We know where memory centers are. But the details of perception of art, we’re just beginning to explore.”—Eric Kandel
Earlier this month, Eric Kandel, appeared on Science Friday to talk about his new book, Reductionism in Art and Brain Science: Bridging the Two Cultures. In the interview, Kandel describes what we can learn about the brain by looking at the work of Abstract Expressionists. These twentieth-century painters boiled visual art down to a few fundamental components—line, color, form, light, and texture. Our neural circuitry is hardwired to prefer images we can identify, which makes abstract forms more difficult to process. At the same time, abstract forms leave the door open to interpretation, stimulating the higher-level areas of the brain responsible for creativity and imagination.
Here is a short excerpt from the interview in which Kandel describes some of the pleasures of viewing the work of J. M. W. Turner. You can listen to the entire interview below:
IRA FLATOW: And it seems like in your book, you point to how the artists themselves evolved from one form of art to the other.
ERIC KANDEL: Amazing.
IRA FLATOW: Give me your favorite example.
ERIC KANDEL: Take Turner. I show two wonderful images of Turner. Now, this we’re talking about the 1800s, early painting around 1815, 1820. He shows one of his most favorite themes, a ship fighting the force of nature at sea. It’s rocking and rolling–
IRA FLATOW: It’s a real ship. It looks like a ship, a classic ship.
ERIC KANDEL: And you see the elements. You see the rain coming down. You see the moon. You see absolutely everything. He comes back to the same theme 50 years later. And it’s very abstract. You don’t see the details very clearly at all, but the effect on me is even stronger.
IRA FLATOW: Because you’re filling in those spots with your life experience.
ERIC KANDEL: And that’s so satisfying. Getting your own mind involved is a very satisfying activity. The more you become engrossed in something, the more you can use your own thought processes. For most people, the more enjoyable it becomes.
IRA FLATOW: Can you, as a scientist, see the mind doing that, understand how it fills in, brings life experiences?
ERIC KANDEL: Not really. Our understanding of brain science has progressed tremendously in the last 100 years. Even in my academic lifetime, 50, 60 years. But we’re at the beginning of understanding this enormously complicated problem. We understand how visual information is processed and things like this. And we understand where pleasure centers are, and how they interact with that. We know where memory centers are. But the details of perception of art, we’re just beginning to explore.